框架理论视角下字幕翻译研究

——以《哪吒之魔童闹海》为例

中图分类号：H059;H085

DOI：10.12339/j.issn.1673-8578.2026.01.036

A Study on Subtitle Translation from the Perspective of Frame Theory—Taking Ne Zha： Demon Child

Conquers the Sea as an Example//WU Yuhan

Abstract： Excellent subtitle translation allows the audience to seamlessly enjoy a film and， to a certain extent， facilitates the exchange and dissemination of foreign cultures. Taking the film Ne Zha： Demon Child Conquers the Sea as an example， this paper employs the Frame Theory from cognitive linguistics and applies four major translation strategies—literal translation under frame consistency， free translation under frame adjustment， domestication under frame substitution， and foreignization under frame transplantation—to analyze its subtitle translation strategies. The study aims to contribute to subtitle translation research from both theoretical and practical perspectives.

Keywords： subtitle translation; the frame theory; frame consistency; frame adjustment; frame substitution; framework transplantation

《哪吒》系列电影在保留中国传统神话故事精髓的基础上，进行了大胆的创新和改编，跨越了文化和语言的障碍，触动了全球观众的心灵。（剩余3745字）