好莱坞动作电影中的华裔形象分析与符号解构

——基于“东方主义”与消费主义的视角

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中图分类号：J905 文献标识码：A 文章编号：2095-6916（2026）01-0140-05

Abstract：Theconstructionof Chinesediaspora images in Hollywoodactionfilms hasalwaysbeenconstrainedbythe Orientalistgaze andthesymbolicmanipulationofcosumesmUnderteframeworkof“Orientalis”，hseimagesareincorporatedintoWsteulur dominatednaatielogicsschsrocaratioothringcostructioandubordiateortrayal，wereintheconstructioofCine maleheroesrequireslegitimizationthrough Westenaratives，theagencyofCinesecharactersustdependonWestern-centricevents， andsomeChinesefemalecharactersareeducedtofoilsforWestemales.Inthcontextofconsumerism，Hollwooddecostructsandre constructs Chinesediasporaimagesintoconsumablesigns，troughthecommercilizationofde-istoricizedandd-culturalizedKungFu symbols，techologicalldomnatedsbolicprductio，andthsstematicstripingofotioalsmbols，threbysubordiatingtha tivevalueof teseiagstotelgicofapitalreproductioByaalyingthdepseatedmechanismsofimagedistortioninossultural communication，thisartcleproposesabreakthroughpath：theWestneedstoabandonculturalprejudices，andChinashouldrecostructits autonomousdiscursiepower，providingateoreticalefereceforpromotigequalmulticulturalexcangebetenEastandWestotexts of de-commodification and decolonization.

Keywords：“Orientalism”；consumerism；Chinese diaspora images；symbol; narrative；cross-cultural communication

动作类电影作为好莱坞的典型类型，始终在文化权力与商业逻辑相互博弈中建构华裔形象。（剩余7671字）