隋唐时期中原与敦煌青绿山水色彩结构比较研究

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A Comparative Studyon the Color Structureof Blue-Green Landscape Paintingsinthe Central Plains and Dunhuang during the Sui and Tang Dynasties

/Guo Qianru/Shanghai AcademyofFine Arts，Shanghai University

Abstract： This study examines the colorrepresentation in Dunhuang murals and Central Plains blue-gree landscape painting landscapes during the Suiand Tang dynasties.Through a multi-layeredcomparisonofform，technique，and function，it systematicallanalyzes diferencesincolorstructure，spatiallogic，andcreativecontextbetweenthetwoReseachreveals that CentralPlainsbluegreenlandsapespursudadealednaturalodeandestheticutonoyexibingaosedfolacolor structure.Incontrast，bluegreenelementsinDunuang muralsservedreigious narrtivesandvisualedifcationdemosating anopen，flexiblecontextual expression.Buildingonthis，thestudyfurtherarguesthatDunuang'sadaptationofCentrallains blue-green forms wasnotpassiveimitationbutaprocessoflocalized "functional reconstruction，"dmonstrating thesubjectivity andcreativityofthereceivingculture incross-culturalartistictransmission.Thisresearch providesaconcretecasestudyfor understandingthediverseinteractions withinSui-Tangpaintingandofersmethodologicalinsightsforreflectingontheoriesof artistic transmission.

KeyWords： Dunhuang Murals;Blue-Green Landscape Painting;Color Structure;Art Dissemination

0 引言

隋唐时期，以石青、石绿为主色的“青绿山水”成为重要的绘画体裁，被《历代名画记》归纳为“山水之变，始于吴，成于二李”。（剩余5125字）