刍议中国画写意山水与印象派风景油画色彩的共同性

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A Brief Discussion on the Commonality of Colorbetween Freehand Landscape Painting in Chinese Painting and Impressionist Landscape Oil Painting

/Zhao Nannan/Jincheng Institute of Technology

Abstract： Inthe process ofthe diversified development of art，the freehand landscape paintingofChinese paintingand the colorof Western Impressionist landscapeoil paintingasartistic expression styles under differentculturalbackgrounds，have received extensive atention.Freehandlandscapepainting emphasizes thecreationof interestandatisticconception，hoping to pursue themutual integrationofthesoulandnature，while thecolorofImpressionistlndscapeoilpaintingpays greatattention tothecaptureoflightandshadowandtheexpresionofcolor.Trytorestorethevividscenesofnature.Althoughthetwodiffer intermsoftools，techniquesandculturalrots，theysharecommonaliesinaspectssuchastheobservationandpresentationof natureand thetransmissionofemotions.Bothatempttobreakthrough traditionalimitationsandpresentheirperceptioof the World throughuniquelanguagemethods.Thisarticleaims todeeplyanalyzethecommonalities inartisticconceptsandcreative techniques between freehand landsape and Impressionist landscapeoil paintings in terms ofcolor，withtheexpectationof promoting a more comprehensive understanding and recognition of these two art forms.

KeyWords： Chinese Painting;Freehand Landscape Painting;Impressionism;Landscape Oil Painting Color;Commonality

在那如璀璨星河般的人类艺术领域中，不同的地域以及各异的文化孕育出了各自独具特色的艺术形式。（剩余4543字）