色彩在中国画中的审美语义与技法革新研究

打开文本图片集

Color in Chinese Painting：Aesthetic Semantics and Innovations in Technique

/ WangNanzhu/Huanghe Jiaotong University

Abstract：This studyexamines howcolorin Chinese painting generates meaning within the traditional discourseand how it canberefinedundercontemporarymaterialsandtechniques.Using acorpus of320representative works，wequantifythe incidenceof“pronouncedcoloration”;with40participantsweaess warmth-coolnessandperceived pleasantnessandthrough reconstructions onraw andsized Xuan paper we record saturation-layer curves.Results show：since theTang dynastythe share of pronounced colorationrisesandremains highthrough the Ming-Qingand today;warm paletesyield higher pleasantnes， whereas coolpaletes better sustain senses ofserenityand distance; marginal gains taper around6-8layers.Accordingly，we proposeastaged workflow—phasedcoloration，multi-layerlight washes，and zonal glazing—supported by materialcompounding and digital pre-visualization，offering anactionable pathway forcolor planning inpublic artand cross-media practice.

KeyWords： Chinese Painting;Color Semantics;Coloration Techniques;Blue-Green; Light Ochre;Audience Study

0引言

在学术与公众叙事中，中国画常被概括为“以墨为主，以色为辅”凹。（剩余4692字）