笔墨与设色的共生：中国传统花鸟画的色彩美学体系研究

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The Symbiosisof Brushand Inkand Color： Research on the Color Aesthetic System ofTraditional ChineseFlower-andBird Painting

/SongKaizhi/ChinaAcademyofArt

Abstract： Chinese culture，with itslong historyand deeprots，has formed arichand diversetraditional cultural system throughoutthecountry'slong-termconstructionanddevelopmentproces.Tothisdayexcellent traditionalculturecontinues to shine brightly，playinganimportantroleandvalueinontemporarysocialandcuturalconstruction，educationandany otheraspects.Chinesetraditionalflower-and-bird paintingisoneof them.Asanimportantcomponentofthetraditionalpanting system，Chinesetraditioalflowerad-birdpaitigposssssdistitoloraesteticharacteristisandalsoplaysantant roleand value in the developmentofcontemporary painting.The comprehensive useof brushworkand color arrngement makes thepaintings presentauniquecharandvalue，including implicitness，eaving blank spaces，etc.Fromamacroperspective，this is alsoof great significanceandvaluetothedevelopmentofChinesetraditionalculture.Therefore，thisstudywillexplore and analyze the color aesthetic system of Chinese traditional flower-and-bird painting.

Keywords：Traditional Culture;TraditionalPainting;Flower-and-BirdPainting;ColorAesthetics;Aesthetic System

0引言

笔墨与设色于传统花鸟画中，本为同源共生之体，二者互相补充，使得画作呈现出别样的效果。（剩余4839字）