吴永良西泠印社百年华诞主题创作色彩研究

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/ Wen Chengyuan/School of Chinese Painting， China Academy ofArt

Abstract：As such，this paper takes two themed works "Commemorating a Century of Xiling SealEngraving Society" and "PortraitsofthePioneersof Xiling SealEngraving Society"，which were producedbyMr.Wu Yongliang forthecentenary celebrationofXiling Seal SocietyforresearchobjectBycomparisonof thedifferencesofcolorapplicationof their two artworks，itcomes toanunderstandingof theassociationofcolorand meaninginterpretationinMr.Wu’sworks，andthen furthermakes interpretationofhisviewsonartisticcreationandcolorbasedonthispoint.Theviewpointof thisstudyis thatthe transitionfrom‘usingcolours ascolours'to‘usingink ascolours'inthetwo worksisnotjustamateroftechnicalchange，but is theartisticchoice madebytheartistonthebasisofis profoundawarenessofthecreativeteme toexpressthespiritofcreative theme.Mr.From WuYongliang's practice，itcanbeseenthat thefunctionofapplicationofcolourintraditionalChinesepanting from‘depicting shapes’to‘forging artisticconception’haveundergone functional evolution，thus ofering areferencecase for understanding the Role of color in traditional Chinese painting.

KeyWords：WuYongng;ChinesePaintingColos;ColorConepts;ilingSealEngravingSocietyhematicCreationUsingInkasColor

0 引言

吴永良（1937一2020），浙江鄞县（今宁波市鄞州区）人。（剩余5056字）