德国表现主义绘画中色彩的张力与 “冲突”

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The Tension and "Conflict" of Color in German Expressionist Painting

Abstract:Since the2Oth century,modernist art has shifted towardthe expression of inner emotions and philosophical reflections,liberatingpainting fromitsnarativefunctionandforminganartisticlanguagecenteredonformalinovation.In termsofcolorlanguage,thisshifthastransformedthetraditionalfunctionofcolorasameansofrepresentationintoasubjective modeofexpreioninodeism.rmanExpresiosm,hichmergedintearlyOthnuryisakeybanchofest painting.Itsartisticorks,haracterzdbyintese,passionate,andtesio-fledolorstylesanetheexpreivepowerof theimageryonveyteinnerfelingsandsiitualorldofGermanartists,ndpresentastrikingvisualeffectofofroation andconflict.Terefore,nalyzingtheartisticconceptsofGermanExpreioistpaitingandexplorngthesymbioticelatioshp between the tensionand "conflict"ofcolor hold significant practical importanceforunderstandingand learning from German Expressionism.

Keywords:German Expressionism;Painting;Color

1现代主义绘画中色彩语言的生成与转变

在19世纪末到20世纪初的艺术革命中,创作转向对内在情感与哲学思考的表达,将绘画从叙事功能中解放出来,形成以形式革新为核心的艺术语言,其中色彩的功能和表达方式也发生了根本性的变化。(剩余7068字)

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